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Marcel Cobussen

Mr.

Professor of Auditory Culture
Leiden University
Academy of Creative and Performing Arts
1

Marcel Cobussen is Full Professor of Auditory Culture and Music Philosophy at Leiden University (the Netherlands). He studied jazz piano at the Conservatory of Rotterdam and Art and Cultural Studies at ErasmusUniversity, Rotterdam (the Netherlands). 

Cobussen is author of several books, among them Engaging With Everyday Sounds (OBP 2022), The Field of Musical Improvisation (LUP 2017), Music and Ethics (Ashgate 2012/Routledge 2017, co-author Nanette Nielsen), and Thresholds. Rethinking Spirituality Through Music (Ashgate 2008). He is editor of The Bloomsbury Handbook of Sonic Methodologies (Bloomsbury 2020, co-editor Michael Bull), The Routledge Companion to Sounding Art (Routledge 2016, co-editors Barry Truax and Vincent Meelberg) and Resonanties. Verkenningen tussen kunsten en wetenschappen (LUP 2011). He is editor-in-chief of the open access online Journal of Sonic Studies (www.sonicstudies.org). His PhD dissertation Deconstruction in Music (Erasmus University Rotterdam 2002) is presented as an online website located at www.deconstruction-in-music.com

 

Sessions in which Marcel Cobussen attends

Thursday 8 May, 2025

Time Zone: (GMT-05:00) Eastern Time (US & Canada)
9:00 AM
9:00 AM - 10:30 AM | 1 hour 30 minutes
Hybrid

Kristian North (INDI, Concordia University, Canada)The Haptic Sound Field: Spatial aspects of Haptic Aurality in Acoustic and Electroacoustic DiffusionThis article explores the haptic dimension of acoustic fields, considering its influence on the perception and construction of actual and virtual spaces. A ‘haptic aurality’ (introduced in a recent article for Organised Sound (North 2024, Cambridge Press)) is developed, including sometimes contradictory accounts of ‘haptics...

Friday 9 May, 2025

Time Zone: (GMT-05:00) Eastern Time (US & Canada)
9:00 AM
9:00 AM - 10:30 AM | 1 hour 30 minutes
Hybrid

Organizer: Marcel Cobussen √ (Leiden University, Netherlands) Urban atmospheres are of course experienced through more than one sense: we use our eyes, ears, skin, and nose. Besides elements that can be experienced through the senses, many other agents are active in creating a specific atmosphere: cultural perspectives, sociopolitical and economic influences, ecological or commercial interests, etc. In short, all these agents (and many more) play a role in the ways place...